Empower Wisconsin | Feb. 12, 2020
By Victor Davis Hanson, National Review
Genius is often defined in myriad ways. One trusted criterion is the ability to do something extraordinary in a field where others could not — and doing something that perhaps will never be done again by anyone else.
By that measure, Rush Limbaugh certainly is the genius of talk radio, a genre in which he not merely excelled but that he also singlehandedly reinvented as something entirely different — and entirely more powerful and instrumental in American life — from what was imaginable pre-Limbaugh.
Even stranger still, his ascendance coincided with the presumed nadir of radio itself. It was supposedly a has-been, one-dimensional medium, long overshadowed by television. Even in the late 1980s, radio was about to be sentenced as obsolete in the ascendant cyber age of what would become Internet blogs, podcasts, streaming, and smartphone television.
Stranger still, Limbaugh has prospered through two generations and picked up millions of listeners who were not born when he first went national and who had no idea of why or how he had become a national presence.
He certainly did not capture new listeners by adjusting to the times. While tastes changed and the issues often metamorphosed, he did not. He remained conservative, commonsensical, and skeptical of Washington and those in it, as if he knew all the predictable thousand faces of the timeless progressive project, whose various manifestations reappear to mask a single ancient and predictable essence: the desire of a self-appointed group of elites to expand government in order to regiment the lives of ordinary people, allegedly to achieve greater mandated equality and social justice but more often to satisfy their own narcissistic will to power.
Read more at National Review.